Three Principles that will Drive Innovation for Your Brand
By Helen Edwards
Marketers looking to innovate must be precise in the language used for their brands – discipline in terminology brings clarity, which yields results.
Nowhere is the lexicon of marketing more testosterone-fuelled than in the arena of innovation. Once it was enough to aim for ‘new and improved’, through incremental innovation to an existing product line. No longer.
Disruptive trends
The restless imperative now is to ‘change the game’, to achieve ‘breakthrough’ and, above all, to ‘disrupt’ – an injunction generally accompanied by the threat ‘or be disrupted’.
The effect is to polarise marketing teams as they sit down for their innovation workshops. There are those around the table for whom the bellicose talk of ‘killer innovation’ and ‘big, hairy, audacious goals’ is meat and drink.
They revel in the excitement and risk, and can’t wait to traduce the traditions of their own market model in favour of some supposedly disrupting alternative.
The tradition of silence
Sitting at other stations around the table, increasingly uneasy, are the marketers who wonder why all this upheaval and risk is necessary for their otherwise well-managed, prospering brands.
Their typical defence is silence. They may have good ideas, but, since these are on an altogether humbler scale – a new delivery mechanism, for example – tend to hold them for later, when the heat has died down, or file them under ‘quick and dirty’, leaving the big boys to do the category-busting heroics.
Helen Edwards, If you’re planning such a session for your team, it would be well to be clear about what level of innovation the brand really needs – and why. That clarity starts with a little more discipline in terminology. Do you, for example, really, truly wish to ‘disrupt’? The term ‘disruptive innovation’ was coined by Harvard academic Clayton Christensen, and has become one of the most casually bandied-about notions in business – Christensen himself laments that it has come to mean ‘anything people want it to’.
Like most academic concepts, it is more nuanced than it sounds. The theory holds that established brands improve their products along a steady trajectory – ‘sustaining innovation’ – and fail to notice or acknowledge the entry of much lower-priced competitors, which target hitherto unattractive customers with ‘de-featured’ offers.
Often as not, it is a leaner business model, not a technological leap, that distinguishes these newcomers.
Gradually – so the theory goes – the newcomers improve, move up the value chain and sweep the whole market away on their own trajectory, which cuts a swathe across the classical dynamics of the category.
One of the criticisms of the model is that it tends to be better at explaining category-wide shifts after the event than helping individual brands predict when, how and whether to affect their own disruption.
Examples of the theory in practice are often cited at the generic level – how the CD industry was disrupted by file-sharing and then iTunes, for instance. Mankind’s adoption of agriculture has even been cited as a ‘disruption’ to the ancient hunter-gatherer way of life.
In my experience it’s all but impossible for thriving brands’ marketers to identify the moment when bet-the-business change to the current model is worth the consideration – if it ever is.
The three principles
So, where does that leave your brand and your team? It may be deeply unfashionable, but the innovation model to which you might need to steer them could still be the incremental kind. Three principles will help you get it right.
First, no single innovation should be expected to transform the fortunes of the brand alone. The aim is momentum, not immediate world domination.
Second, innovations should keep coming. They should be quick-fire and catchy. The brand wins by appealing as the one with a pulse, the one that’s always doing something interesting. Don’t agonise over consumer research and don’t worry about competitors copying; just move on to the next one.
Third, ‘incremental’ doesn’t necessarily mean that innovation is confined to the product itself – it can be manifested at other parts of the offer: packaging, service delivery, distribution channels or digital support. The Husten-Tester diagnostic cough app is a great example.
‘Disruption’, ‘breakthrough’ and ‘game-changing’ are concepts that have captured marketers in the way that grand ideas do: they sound sexy; they feel powerful. Words like ‘continuous’ and ‘incremental’, well, don’t.
Perhaps we could do with a little linguistic innovation here, then, and come up with a sexier term.
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